In his prime of life, which is to say the late '20s, the Reverend Gary Davis was one of the two most renowned practitioners of the East Coast school of ragtime guitar; 35 years later, despite two decades spent playing on the streets of Harlem in New York, he was still one of the giants in his field, playing before thousands of people at a time, and an inspiration to dozens of modern guitarist/singers including Bob Dylan, Taj Mahal, and Donovan, and Jorma Kaukonen, David Bromberg, and Ry Cooder, who studied with Davis. Davis was partially blind at birth, and lost what little sight he had before he was an adult. He was self-taught on the guitar, beginning at age six, and by the time he was in his 20s he had one of the most advanced guitar techniques of anyone in blues -- his only peers among ragtime-based players were Blind Arthur Blake, Blind Lemon Jefferson, and Blind Willie Johnson. Davis himself was a major influence on Blind Boy Fuller. Davis's influences included gospel,! marches, ragtime, jazz, and minstrel hokum, and he integrated them into a style that was his own. In 1911, when Davis was a still teenager, the family moved to Greenville, SC, and he fell under the influence of such local guitar virtuosi as Willie Walker, Sam Brooks and Baby Brooks. Davis moved to Durham in the mid-'20s, by which time he was a full-time street musician, and celebrated not only for the diversity of styles that his playing embraced, but also for his skills with the guitar, which were
... ![Big Black (London 1987) [05]. Cables](https://lh3.googleusercontent.com/blogger_img_proxy/AEn0k_uIqFrYcd102AEQhYyodkhMlthN6VYyRnjyUxDEB1NrjYx7NY4eQmaIgae8qv09oQFR-SmO3twNETEjMDjU_1GO0mfKr9Es3-GmLw=s0-d "Big Black (London 1987) [05]. Cables")
